In
much of my work, solitary figures placed in undefined painterly spaces
seem to have a readiness to let go and disperse into the immediate
surrounding, loosening and becoming part at the same time. As paintings,
these works investigate the boundaries of the body as a mass and an
outline. The abstract background that is often composed with loose paint
strokes, reminiscent of seismographical recordings, interacts with the
figures, somewhat carrying or holding them. It is this in-between state
of letting go until the arrival into the unknown that interests me.
Dispersing and disappearing even, and having faith in oneself, stretched
into eternity.